“What would it mean to see another person so completely that something in you shifts? I call that Radical Compassion, and it's what every painting I make is reaching towards. Each canvas is a restoration; each face an exploration of our shared humanity, infinite potential, and a reminder that a life is so much more than a number.”

~ LAUREN BERGMAN


ABOUT

What would it mean to see another person so completely that something in you shifted? I call that experience Radical Compassion - and it is what my paintings are reaching toward.

Radical Compassion is a way of seeing. It begins in the willingness to stop and look at another human being long enough that their particularity, the weight of their specific life, becomes
undeniable. When that seeing truly happens, the boundary between self and other becomes
briefly porous. In that openness is an antidote to the forces that make strangers of us:
prejudice, indifference, the slow habituation by which we stop registering the humanity of those
who seem unlike us.

My paintings live at the juncture of myth and social realism - drawing on photographs from
European WWII archives to reimagine girls and women murdered in the Holocaust into worlds
of beauty and infinite possibility. Each canvas is an act of restoration, each face an invitation into the sudden cellular recognition that their humanity and yours are made of the same material-the same limitless capacity for dreaming, the same unchartered potential, the same irreducible light.

Harnessing both my personal lineage and my inner language of symbols and imagery, I strive for this work to hold beauty and haunting in equal measure; beckoning the viewer toward a story that never got to unfold. My goal is to honor these lost lives; to give back something that was stolen, and remind the world that these young people once lived and loved, and had stories to tell. It asks nothing except to see - to witness the particular, the individual, the irreplaceable. It is an invitation to be opened;  to experience Radical Compassion.

BIO

As part of the Covid exodus from NYC, Bergman currently lives and works in a barn in Saugerties, NY. She grew up in the Washington metro area, where she studied at the Corcoran School of Art. Bergman earned a BA in fine art and education from University of Massachusetts at Amherst, graduating summa cum laude, and an MA at Smith College before relocating to Manhattan to study painting at The Art Students League. Her collection of 24 paintings entitled "LIVES ELIMINATED, DREAMS ILLUMINATED", purchased by the Dr. David Milch Foundation, has been exhibited at Brandeis University, the Museum of Science and History in Jacksonville FL, the Ritz Museum in Jacksonville FL, and is on long term display at Mana Contemporary in Jersey City, NJ with musical compositions for each painting by renowned composer Ella Milch Sheriff, and an extensive educational component to the exhibition. Bergman's work has been featured in publications ranging from The New York Times to Juxtapoz Magazine. She has had three solo exhibitions at the O.K. Harris Gallery in New York, which represented her for a decade. Other solo and two-person exhibitions include the Makor Gallery and Tria Gallery in New York and the Corey Helford Gallery in Los Angeles. Her many group shows include Plus One Gallery in London, Carl Hammer Gallery in Chicago, and Jonathan Levine Gallery and Claire Oliver Fine Art in New York.